Jewelry manufacturers have stated that bracelets have roughly three functions: firstly, to indicate identity and highlight individuality; The second is to beautify the arms; The third is to protect the human body. Bracelets are usually worn on the left finger, and gemstone embedded bracelets should be attached to the wrist. If not embedded, they can be worn loosely on the wrist. Only a pair of bracelets can be worn up and down at the same time.

Bracelets have many names in ancient times, "Tiaotuo" is one of them. There is a story in Song Ji's meritorious work "Records of Tang Poetry". One day, Emperor Wenzong of Tang tortured officials: "In ancient poetry, there is a sentence of" Tiaotuo ". Who knows what" Tiaotuo "is?" No one can answer. Emperor Wenzong told them, 'Jump off the wrist bracelet that begins to emerge.' In ancient literary masterpieces, it was common for women to give bracelets to their lovers as a plot. In Zhenhao, Liang Tao Hongjing recounted the jumping off of gold and jade that the little fairy Calyx Lvhua once gave to sheep. In Pu Songling's "Strange Stories from a Studio: Bai Yu Yu Yu", it is written that the scholar Wu Sheng accidentally fell into a dreamy fairyland and fell in love with a little fairy in purple. Before leaving, the fairy gave Wu Sheng the gold wristband she was wearing as a souvenir.

The role of bracelets as keepsakes is fading, but they are still the most beautiful scenery on girls' wrists. Classical style and contemporary style are unconsciously connected, and girls wearing bracelets may no longer be aware of the heavy responsibility of ancient women's bracelets often bearing vows. Like earrings, necklaces, and diamond rings, bracelets, as a form of jewelry, have been accepted and applied by more and more people as supporting decorations for clothing, as handicrafts to cover ourselves, and as a personal trait and preferred way of dressing up. The wearing of bracelets usually prioritizes their aesthetic value.